A longtime showbiz journalist and fan's thoughts on comic books, movies and other cool stuff.

Reviewing DC’s Justice League #1 in print and in digital

I haven’t reviewed new comics in a while, though I’ve had a few requests and will get some comments on those books up in the next day or so.

In the interim, DC’s New 52 kicked off yesterday with the release of Justice League #1. I got a copy from DC, and found it to have some good points and some bad. I also tried the digital edition on my iPhone and that spurred lots of ideas on what works and what doesn’t about that format.

But first, the comic itself is good but not great.

Jim Lee and Scott Williams deliver some fantastic looking art. It’s attractive and highly detailed and colored well by Alex Sinclair. And while Lee’s never been the very best storyteller in comics, he’s also much better than he used to be and the book is an attractive and easy read.

As usual, Lee’s designs for Batman, Green Lantern and Superman are powerful and modern. I especially like the intense detail Lee and Williams give to Green Lantern’s powers.

I almost think the art is too detailed, though that may just be my middle-aging eyesight speaking. When this gets collected into a slightly larger format like a hardcover, I think it’ll look even better because there will be a bit more room for these details to shine.

The script by Geoff Johns is a bit more mixed. This issue takes an approach similar to that of the first episode of a TV series. We start knowing nothing, get a big splash of action with Batman, and then introduce some conflict as Green Lantern shows up and the pair head straight for a confrontation with Superman. There’s also a sub plot introducing Vic Stone, who eventually will become Cyborg. The issue is quickly paced and reads well, though some of the dialog is a bit stiff.

And that’s it. That’s all that happens. There’s some decent action, some decent characterization and a solid finish, but there’s just not quite enough story here to build the anticipation that I think would make readers truly excited to come back for issue two. It’s close, but if this was a double size issue that featured at least a glimpse of all the characters on the cover and conveyed a sense of where this was going, it would have been a much stronger read.

I expect reactions to this book will be all over the place. Something like this brings so many pre-conceived notions and inflated expectations with it, that there is no way it will play the same way to any two readers.

So the copy I received from DC was the digital combo pack version, which costs a dollar more than the regular version and includes a code for downloading the digital version of the comic.

I have not been a regular reader of digital comics. Part of it is just that I prefer to read comics in print and part that I haven’t really enjoyed my attempts to read comics on a computer screen. I don’t have an iPad, which seems to be the ideal device for reading digital comics, and my iPhone is great but I just can’t see myself reading many comics on so tiny a screen.

Still, I tried it out on my iPhone and it worked quite well. The code, which is printed on the inside back cover, is a fairly long 32-character alpha-numeric code. I can imagine some folks might get frustrated at having to type in such a long code for each digital comic, but it worked for me on the first time. I entered the code at the website on my laptop and Justice League #1 was assigned to my ComiXology account and available to read on my iPhone instantly.

Reading the comic on the iPhone was a good but not perfect experience. The art looked good and the way the phone transitioned from panel to panel was intuitive and easy. I kind of liked turning the phone every so often to get the displayed panels to fill the screen. What things got problematic was on the larger images — panels that take up half a page or more. It was just not easy to see what I was looking at in those panels. I expect the iPad would not have the same issue.

What this digital experience left me wondering, though, is why DC is packaging its comics in two editions. Why charge an extra dollar for the digital code instead of just making them packaging them together in a single product? I think comics are expensive already without having the option of paying even more for another edition of the same thing. When I buy music, either on CD or digitally, I have the right to listen to it on my computer, my iPod, my car stereo, my living room, etc., for no extra cost. I’d be far more likely to read digital comics if they came with the print comics I’m already buying at no extra charge.

Similarly, I would think anyone who pays the full price for a digital comic should have the option to get a print copy if they want it. And It’s not at all clear to me if DC (or anyone else) is offering digital subscriptions similar to the way iTunes sells a Season Pass for TV shows. A reasonably priced digital subscription plan that included print copies is something I would think hard for people to pass up, while at the same time having the potential to boost readership in both print and digital.

With the first huge wave of first issues set to arrive next week, I find myself hoping for surprises. Everyone’s going to read Grant Morrison’s Action Comics #1, but what I would really like to find is a few hidden gems from further down the list. I’m playing wait-and-see on these books and want to look at them before I decide which ones to pick up. But I really hope this experiment makes room for the kind of fun, strange and interesting mainstream comics that the major publishers have had trouble making a go of in recent years.

Beyond that, we’ll see.  


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First Batch of New 52 Releases Delivers Solid Comic-Book Entertainment

1 Comment

  1. I'm in favor of digital copy for free with print version and vice versa, however the latter might be a harder sell for publishers.

    They could say that it'd be like record companies giving a free CD copy to people who buy the iTunes version. And I believe the iTunes versions are priced lower than the physical copies, or should be anyway, which is understandable when you're cutting out costs for packaging and whatever other costs there are associated with shipping the physical copy to where it needs to go.

    But yeah, for the consumer, it'd be a nice deal if digital copy for free with print version and vice versa were always an option.

    The point about paying extra for basically the same thing sounds true, but I guess you could look at it like paying DC–in this case–a dollar for scanning it and organizing it very nicely for you. I don't have experience with how it's actually experienced, but I'm guessing it's even better than "scanned and organized nicely."

    If so, a dollar isn't too much to ask for, especially if you're allowed to transfer it to other devices without limit.

    That's just my 2 cents on that, anyway. I've been a Marvel fanboy for a very long time now, but I'm sensing my allegiance weakening. And as someone who doesn't much know about the DC Universe outside of the identity of the iconic characters, my interest is piqued with this reboot.

    I was hoping your review would say this #1 was great, but I guess there's 51 more chances for DC to hit the target.

    Thanks for sharing your review on this one though.

    And hopefully someone at the majors, or even indies, (whether comics publishers, record labels, etc.) decides to try "digital copy for free with print version and/or vice versa," especially if they can afford it. Hopefully it'd be a model that could be sustained too. It might be just the thing to get me to choose one over the other when it comes to Marvel vs. DC.

    Thanks again, Mr. McLean.

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