A longtime showbiz journalist and fan's thoughts on comic books, movies and other cool stuff.

Tag: The New 52

First Batch of New 52 Releases Delivers Solid Comic-Book Entertainment

Sometimes, life is great. Yesterday afternoon, FedEx rang my door and had me sign for a package from the publicity folks at DC Comics. Quickly tearing open the package, I found inside all 13 of this week’s releases of The New 52.

It was tough to not just stop working and dig right into the big pile. I took a little break and read Hawk & Dove #1 followed by Action Comics #1. I read the rest of the books last night and now will delve into them for your reading pleasure.

The good news is these books are overall quite good. After the mild letdown of Justice League #1, I found every one of the 13 new books to deliver a satisfying and entertaining story. These read a lot like comics from the late 1980s or 1990s, with more story, more action and fewer talking heads than superhero comics have delivered of late. They also have some sharp art and, thankfully, overall good coloring. The books look quite sharp. I still wish there was some kind of introductory text page and maybe a house ad promoting comic shops, explaining digital availability and an ad offering subscription info.

I don’t know how truly new readers will receive these books, but I give DC great credit for doing a pretty good job delivering on material that I think has a wider appeal than superhero comics have delivered in a while.

So, let’s go through them, one by one. I’ll try to avoid spoilers, but if you’re a stickler you might want to wait until you’ve read the books to proceed. Also, this may take multiple posts.

I started with Hawk & Dove #1 just because a comic by Rob Liefeld always evokes some kind of interesting reaction. Yes, the anatomy on the cover is awful, but the image still has that unique energy Liefeld brings to his projects. Inside, the story by Sterling Gates was better than I expected, though in a crazy, comic-book kind of way. It at least delivers on action, complete with monsters, zombies (or maybe monster/zombies) and a close call between a plane and a national monument. The books keeps it simple, though some of the ideas in here are a bit puzzling (what is a “science terrorist”?) if you think about it too hard. The dialog is a bit hammy, especially from the slightly one-note characterization of Hank Hall as a hothead. Still, this works in a very basic way thanks to lots of action and a couple of good twists toward the end.

Action Comics #1 is THE high-profile book of the week, featuring Grant Morrison and Rags Morales’ anticipated revamp of the Man of Steel. And boy, does this get the blood pumping. If you go back and read my take a few months back on how to fix Superman, it looks like Morrison had a lot of the same ideas. This issue is all about the action, and features some great, gritty sequences. Morrison takes Superman back to the beginning — this version of the character is surprisingly similar to the original concept by Jerry Siegel and Joe Shuster. This Superman is a crusader, tackling the powerful interests of Metropolis that are otherwise above the law. His power levels also are scaled back and he leaps more than flies, and has the potential to be hurt. This Superman also is young, but not mopey — he’s out there acting on his convictions and doing what he sees as right. This is a great first issue and it succeeds at being an exciting and fun take on the Man of Steel.


Stormwatch #1 was a slightly more confusing read for me. The plot centers on the new Stormwatch, which includes as members the Martian Manhunter from Justice League and most of the cast of the Authority, as they are faced with no less than three interesting challenges: Finding the superhuman known as Apollo, dealing with something very strange on the moon, and a third mystery involving a horny mystery in the Himalayas. There’s definitely a different vibe to this book that recalls in ways the spirit of the best Stormwatch/Authority stories (most of them written by Warren Ellis).

Animal Man #1 was a true standout for me, with a terrific story by Jeff Lemire and equally good art by Travel Foreman. This one really is the best of all worlds, as it recasts the lead character into a new role, makes him and his family interesting characters in their own right and features some unique action and promise of more to come. I know I’ve read comics drawn by Foreman before, but he’s obviously raised his game significantly because I was never blown away like I was with this issue.The colors by Lovern Kindzierski are also outstanding. I have to put this up there with Action Comics as the best of this week’s bunch.

Men of War #1 surprised me. War comics have never been my favorite — Marvel’s 1980s series The ‘Nam being the lone exception — because I usually find them either unrealistic or too chaotic, confusing and repetitive to follow. This book, however, avoided all those issues while at the same time recasting the venerabel Sgt. Rock into contemporary times. In the lead story, Ivan Brandon delivers a story full of soldi war action (with a tantalizing hint of the superheroic) and good character development. The second story, Navy Seals: Human Shield, by Jon Vankin and Phil Winslde, is even more compelling than the Rock story. It’s a bit more procedural, but it’s done clearly and vigorously, leading to a compelling cliffhanger.

More in the next post.

Reviewing DC’s Justice League #1 in print and in digital

I haven’t reviewed new comics in a while, though I’ve had a few requests and will get some comments on those books up in the next day or so.

In the interim, DC’s New 52 kicked off yesterday with the release of Justice League #1. I got a copy from DC, and found it to have some good points and some bad. I also tried the digital edition on my iPhone and that spurred lots of ideas on what works and what doesn’t about that format.

But first, the comic itself is good but not great.

Jim Lee and Scott Williams deliver some fantastic looking art. It’s attractive and highly detailed and colored well by Alex Sinclair. And while Lee’s never been the very best storyteller in comics, he’s also much better than he used to be and the book is an attractive and easy read.

As usual, Lee’s designs for Batman, Green Lantern and Superman are powerful and modern. I especially like the intense detail Lee and Williams give to Green Lantern’s powers.

I almost think the art is too detailed, though that may just be my middle-aging eyesight speaking. When this gets collected into a slightly larger format like a hardcover, I think it’ll look even better because there will be a bit more room for these details to shine.

The script by Geoff Johns is a bit more mixed. This issue takes an approach similar to that of the first episode of a TV series. We start knowing nothing, get a big splash of action with Batman, and then introduce some conflict as Green Lantern shows up and the pair head straight for a confrontation with Superman. There’s also a sub plot introducing Vic Stone, who eventually will become Cyborg. The issue is quickly paced and reads well, though some of the dialog is a bit stiff.

And that’s it. That’s all that happens. There’s some decent action, some decent characterization and a solid finish, but there’s just not quite enough story here to build the anticipation that I think would make readers truly excited to come back for issue two. It’s close, but if this was a double size issue that featured at least a glimpse of all the characters on the cover and conveyed a sense of where this was going, it would have been a much stronger read.

I expect reactions to this book will be all over the place. Something like this brings so many pre-conceived notions and inflated expectations with it, that there is no way it will play the same way to any two readers.

So the copy I received from DC was the digital combo pack version, which costs a dollar more than the regular version and includes a code for downloading the digital version of the comic.

I have not been a regular reader of digital comics. Part of it is just that I prefer to read comics in print and part that I haven’t really enjoyed my attempts to read comics on a computer screen. I don’t have an iPad, which seems to be the ideal device for reading digital comics, and my iPhone is great but I just can’t see myself reading many comics on so tiny a screen.

Still, I tried it out on my iPhone and it worked quite well. The code, which is printed on the inside back cover, is a fairly long 32-character alpha-numeric code. I can imagine some folks might get frustrated at having to type in such a long code for each digital comic, but it worked for me on the first time. I entered the code at the website on my laptop and Justice League #1 was assigned to my ComiXology account and available to read on my iPhone instantly.

Reading the comic on the iPhone was a good but not perfect experience. The art looked good and the way the phone transitioned from panel to panel was intuitive and easy. I kind of liked turning the phone every so often to get the displayed panels to fill the screen. What things got problematic was on the larger images — panels that take up half a page or more. It was just not easy to see what I was looking at in those panels. I expect the iPad would not have the same issue.

What this digital experience left me wondering, though, is why DC is packaging its comics in two editions. Why charge an extra dollar for the digital code instead of just making them packaging them together in a single product? I think comics are expensive already without having the option of paying even more for another edition of the same thing. When I buy music, either on CD or digitally, I have the right to listen to it on my computer, my iPod, my car stereo, my living room, etc., for no extra cost. I’d be far more likely to read digital comics if they came with the print comics I’m already buying at no extra charge.

Similarly, I would think anyone who pays the full price for a digital comic should have the option to get a print copy if they want it. And It’s not at all clear to me if DC (or anyone else) is offering digital subscriptions similar to the way iTunes sells a Season Pass for TV shows. A reasonably priced digital subscription plan that included print copies is something I would think hard for people to pass up, while at the same time having the potential to boost readership in both print and digital.

With the first huge wave of first issues set to arrive next week, I find myself hoping for surprises. Everyone’s going to read Grant Morrison’s Action Comics #1, but what I would really like to find is a few hidden gems from further down the list. I’m playing wait-and-see on these books and want to look at them before I decide which ones to pick up. But I really hope this experiment makes room for the kind of fun, strange and interesting mainstream comics that the major publishers have had trouble making a go of in recent years.

Beyond that, we’ll see.  

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