I’ve been thinking about The Wolverine, which I caught at a morning screening — it’s what you have to do when you have a toddler! — on opening weekend.
- This is the most faithful adaptation of a Marvel comic-book story to come to screen so far. There are deviations from the 1982 Wolverine miniseries it’s based on, but I was surprised by how much of that story was kept intact.
- I liked that the female characters were interesting. Yukio in particular is a favorite of mine from the original comic. And while she’s not quite the same character here, she played a major role in the story and held her own quite well. Mariko didn’t fare quite as well. I never fully bought the romantic connection between her and Logan. The comic version, despite its hokey elements, is a bit more convincing.
- The end tag previewing next summer’s X-Men: Days of Future Past was terrific. Patrick Stewart is back! So is Ian McKellan! I am now very much looking forward to that pic and find myself hoping Bryan Singer can really pull off an amazing movie that not only heals some of the wounds left by X-Men: The Last Stand, but also unifies the whole franchise and gives it an exciting way to go forward. My biggest concern is living up to the impact of the original comic book story, which has to be significantly fleshed out for a feature film.
- I liked that there was a lot of Japanese spoken in the film, both with and without subtitles.
- While Viper was probably the least necessary addition to the movie, I really liked Svetlana Khodchenkova in the role. She had just the right amount of sexy sinister for a character like that.
- The posters with the Japanese style artwork are great.
- After a very satisfying and interesting set up, the final act is so conventional as to be boring. The Silver Samurai, as done in this movie, was far less interesting than in the comics. The big reveal of Harada as being inside the big robot suit is just plain dull and has almost no emotional impact.
- I wish more had been done to play up the love triangle of the original comic, with Yukio being an obvious and very willing match for Logan, who just can’t get over Mariko. That was a nice touch in the comic that this movie could have used a bit more of.
- Viper is not well integrated into the story. She seems pretty unnecessary and her power is oddly portrayed and never explained. I don’t recall Viper having any powers in the comics. But I do remember she somehow convinced Wolverine to willingly marry her for some reason. (I remember it was in Chris Claremont’s return to the character in Wolverine #125-128 or so, but not the reasons behind that twist.) That might have been a more interesting element to play with here.
- I hate the ripping out of Wolverine’s claws. The bone claws, in a word, suck. I always thought the bone claws were the lamest thing ever done to the character. My problem with it is it makes absolutely no sense. We were told for decades that the claws were housed in some kind of bionic mechanism, which must have been confirmed by all the medical exams done on Logan by everyone from the Sentinels (as far back as The Uncanny X-Men #98) through the Shi’ar and onward. Even in the original Days of Future Past storyline, when the Sentinels burn off Wolverine’s flesh, you can see the manmade mechanism that operates his claws in his bones. Of course, that’s a future timeline Wolverine, so it’s easy to explain away. But that doesn’t mean it’s still not a stupid idea.
- No credit whatsoever for Chris Claremont, Frank Miller or Josef Rubinstein for coming up with the original comic-book story. Even more interesting, it appears Claremont doesn’t get even a token payment, while Len Wein, who officially created Wolverine but had little to do with the character as he exists today, did.
I would love to see the franchise move past prequels and into new, fresh territory with new characters, new villains and new scenarios. After The Wolverine, it’s looking more likely than before, and I think fans of the comics and the movies can be glad of that.