Not having read or re-read any Planetary since #26 came out about a year ago, the specifics of the series’ plots were not fresh on my mind, but I still found it an interesting denouement.
Planetary is one of those series that I always had trouble really connecting to. I loved the second issue, with the dead giant Tokyo monsters all rotting away on an island, but found too many of the early issues weakened by being essentially riffs on various popular comics genres. Because of that, I preferred Ellis’ short but pitch-perfect run on The Authority, which began about the exact time as Planetary, and, of course, Transmetropolitan as the writer’s definitive works.
As for Cassaday, I go back and forth on his art. At times, it’s beautiful and subtle and others too minimalistic and reliant on a good colorist (which Laura Martin most definitely is). At least Planetary finally — after many long production interruptions — has made it to a satisfactory end, something few series can claim.