Writer, Editor, Author

Tag: Pacific Rim

Random notes: Comic-Con, Pacific Rim, Sequart and Drive-ins

Just a few notes to pass the time while I try to find some time to read a few comics to write about here.

  • I will be attending San Diego Comic-Con on Thursday only! This will be my first trip to the Big Show in three years, I think. Very much looking forward to it! Anyone know of any particularly good new COMICS projects I should check out while I’m there? I think it’s cool that Kazuo Koike is going to be there, though I doubt I’ll be at all inclined to stand in a long line to meet him. Anyway, if you see me, say hi. I expect I will be mostly on the floor and avoiding the lines to get into panels, with one exception …
  • That exception is the reason for my visit. I will be appearing on the Sequart: Advancing Comics as Art panel, Thursday at 1:30 p.m. in room 24ABC. Sequart, in case you don’t know (and if you’re reading this blog, how come you don’t know?) published my book, Mutant Cinema: The X-Men Trilogy from Comics to Screen. They also have gotten into the movie business, with Grant Morrison: Talking with Gods, Warren Ellis: Captured Ghosts, and a bunch of upcoming projects. I helped out a bit with their upcoming release, Comics in Focus: Chris Claremont’s X-Men. I was interviewed for the film and provided some additional assets for the shoot. I’ll be appearing on the panel to support this film and the filmmakers, Patrick Meaney and Jordan Rennart, as well as Sequart founder Julian Darius. There should be lots of good stuff going on, so if you can attend only one panel at Comic-Con (lucky you!), make it this one!
  • Pacific Rim is a really fun movie. As I mentioned, I saw it a while back and wrote about the VFX work on the film for an upcoming issue of Animation Magazine (who also will be at Comic-Con, stop by booth 1535!) and with its release now imminent, I have to say I really had a fun time with this movie. It’s crazy insane in all the right ways. And it’s an original film! Not a sequel, not a reboot, not an adaptation — not a hoax! It’s really cool and I think anyone who gives the movie a chance will be pleasantly surprised if not turned into a big fan.
  • Additional movie fun: Both Monsters University and Despicable Me 2 are also a lot of fun. I wrote extensively about MU for Animag – check out the cover story here — and it’s funny and cool and looks great, through without rising to the level of Pixar’s best. Me 2 impressed me with the quality of its animation, which looks absolutely terrific. The minions are hilarious and Steve Carell is really good as the weirdo Gru. Again, not quite as innovative as the first one, but still worth the time. 
  • I caught both those films — along with The Internship and a second viewing of Man of Steel — at the Vineland Drive-In Theater in City of Industry, Calif. This is an ideal setting for parents like myself, as 2-year-old Kaya can make all the noise in the car she wants without disturbing anyone else and then, after she falls asleep, my wife and I can enjoy a second movie for less than the price of one at the Arclight or a similar arena. The image quality is quite good, and the sound comes in over the FM radio, and it’s a better experience by far than it was when I was a kid and you had to listen through those little window-mounted mono speakers. Drive-ins are few and far between these days, so I want to call attention to this little gem because it’s a fun experience that I think many movie buffs with young families would enjoy.
That’s it for now. Later.

At the Movies: Man of Steel, Iron Man 3, Star Trek Into Darkness and Pacific Rim

Henry Cavill as Superman in Warner Bros.’ Man of Steel.

I pretty much only get to see movies I am writing about these days, so it’s a good thing a lot of those are movies of interest. Here are some notes on my summer blockbuster viewings so far, including Man of Steel, Iron Man 3, Star Trek Into Darkness and Pacific Rim.

I saw Man of Steel a few days before it was publicly released, as I wrote an article on the VFX in the movie for Animation Magazine. (It’ll be in the issue out at Comic-Con, as well as online, but more about CCI in a moment).

There was a lot I liked about the movie. And, honestly, I’m surprised it’s generated as much debate as it has. My first reaction was that the movie was really good. I very much liked the new take on Superman that Christopher Nolan, David Goyer and Zack Snyder had come up with. I liked Henry Cavill as Superman and Amy Adams was a terrific Lois Lane. Those are all very hard things to do. If I had one complaint, it was that the fights could have been trimmed back as the destruction becomes a bit overwhelming even though it’s done incredibly well. I particularly liked one shot in the final fight between Zod and Superman where Zod punches him through four or five buildings, with the interior workings of each building exposed in incredible detail.

A lot of Superman fans really dislike the movie, and its more modern portrayal of Superman. I, however, was very glad to see a different take on the character even though I understand that his movie doesn’t give him the heart or idealism that, say, Christopher Reeve brought to the role. But we’ve already had that movie, and a decent sequel and two not-so-decent ones and a disappointing attempt to revive that style. I also am glad someone can strip away a lot of the barnacles that have attached themselves to the Superman mythos over the year. It helped tremendously to ground the movie in today’s world. Superman is still a somewhat distant character, but the world’s reaction to him in this movie and his actions all make sense for a story set in the 21st century instead of the 1930s. Those who want a simpler, happier Superman shouldn’t look to today’s feature films, which operate under economics that require such broad global appeal to audiences of all ages that this kind of PG-13 take on the character is the only type a studio would even attempt.

In the weeks since I’ve seen the movie, I have to admit my enthusiasm for the movie has cooled. I will look forward to seeing it again when it hits Blu-ray, a process that softened my takes on movies like The Dark Knight Rises and Prometheus.

Moving on: I loathed Star Trek Into Darkness. You can take a look back at my comments on J.J. Abrams’ first Star Trek feature for my overall take on the reboot, as most of the same comments apply to the sequel. I will add that there’s some incredibly sillyness in this movie, most of it coming from the ill-advised elements borrowed from Star Trek II: The Wrath of Khan. I think it shows a staggering lack of imagination for the filmmakers to spend all this time and money rebooting the franchise for the future and then so emptily going back to ape the great moments of the past in the vain hope that the original’s emotional resonance would somehow carry over and be amplified through their eyes. Ugh.

Iron Man 3 was not a great movie, but it was a lot of fun and it was a big improvement over Iron Man 2. It’s interesting to see the movie franchise take on a life of its own and essentially outgrow anything and everything done with the comic book version in nearly 50 years of publishing. In this movie, the big bold personality Robert Downey Jr. brings to Tony Stark has outgrown the character’s alter-ego, and he spends much of the latter part of the film outside of his armor, calling it to him only when needed. Downey is an ideal match for this role and I think he can take it to even more interesting places in future films.

I liked the pace and humor in the film, which I think comes in large part from director and co-writer Shane Black and his rapport with Downey. There were, however, a few moments where Stark and Rhodey were huddling under fire that I expected Don Cheadle to say “I’m getting too old for this shit!” I think that would have been awesome. Also, the twist with Ben Kingsley’s The Mandarin is inspired and funny; and Guy Pearce makes a great villain and I don’t know why he’s not in more movies. I have no idea where Iron Man 4 could go, but I’m sure we’ll all find out in a couple of years.

Read what I wrote for Animation Magazine about the VFX on Iron Man 3 and Star Trek Into Darkness here.

I can’t say too much about Pacific Rim — another film for which I’m writing about the visual effects — because it’s not due out until July 12. But so far, this is my favorite film of the summer. Not only is it an original story, it’s got a lot of style, is insanely fun when it comes to the extensive action sequences, and tells a complete tale! It’s like Guillermo del Toro is reminding Hollywood of the sort of movies it used to make and that were once its bread and butter. I hope it’s a hit.

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