Picking up from where I left off: I left home in Scottsdale, Arizona, to attend the University of Arizona in Tucson shortly after my 18th birthday, in late August of 1987. My birthday gifts that year included a box of Tide powder, to do my own laundry with; and a dish-drying rack. All profoundly sensible items I needed and used.
I did not live in the dorms at U of A because doing so was so popular at the time that you had to apply a year in advance to get a spot. A year before, I still was in Edmonton, so my application was far too late to get me in. Instead, my Dad took me down to the Tucson sometime that summer and we found a two-bedroom apartment to rent and put out an ad for a roommate. I eventually got a response to the ad from a student coming to Tucson from New Jersey — also a freshman. We ate a lot of Domino’s Pizza those first months.
The apartment complex was quite nice. Our lower-level apartment had plenty of space and came furnished. There was a pool and hot tub in the complex, along with coin-operated laundry machines and grills for cooking. There were plenty of students living in the complex. A few fun girls, too. It’s still there, now called the Arcadia Park Apartments. There was an ABCO grocery nearby and bus lines we could pick up along East Fifth Street that took us directly to campus for classes. Neither me nor my roommate had a car.
I brought along my comics, and stuck them in my bedroom closet. I had maybe two and a half long boxes at this point. What I wasn’t sure of was where I could get comics in Tucson. Turns out, the answer was easier than I thought.
A quick look at the phone book revealed a comic shop within walking distance — not far from where I caught the bus to campus. It was called David’s Used Books And Comics most of the time; other times it was The Comic Corner. I don’t remember what the sign out front said, but I do remember it being in a small mall-type building at 5031 E. Fifth St. that is still there today.
The shop was set up in the standard way: New comics on racks around the side, with bins full of back issues in the center. There was a section at the back that had magazines, British comics and fanzines. The walls featured the usual higher-value back-issue comics, with the counter area at the front with display cases for the most-valuable and rare comics. This was all on the left half of the store as you walked in; the right side featuring mostly used paperbacks of all sorts.
So this solved my comic book sourcing problem, and I quickly set up a free pull list for all the titles I was following at the time. Still pretty heavy on the Marvel and X-Men line, which was gearing up for The Fall of the Mutants crossover.
I have a very clear memory of awaiting Excalibur, and buying the bookshelf special edition in December 1987, on probably my last visit to the shop before my first semester wrapped up. (I did well with grades — 3.6 GPA that first semester, I think.)
I also remember looking forward to Marvel ramping up its annuals with the Evolutionary War storyline that spring. And the artwork of Marc Silvestri on X-Men and Walter Simonson on X-Factor was exciting and vital.
I definitely remember buying everything related to Fall of the Mutants at David’s, including a copy of The Incredible Hulk #340, with the now-famous Todd McFarlane cover, for cover price. McFarlane’s art was starting to gain attention in Hulk, especially once he started inking his own pencils.
I was already subscribing to The Amazing Spider-Man when Todd started working on that title with issue #298, meaning I bought my copy for 20 percent off the cover price of 75 cents! And I distinctly remember the sense of excitement that came along with picking up The Amazing Spider-Man #300, which McFarlane penciled and inked, and features the first full appearance of Venom. It’s still a very popular book. I will get soon to the tale of how I got my copy signed by McFarlane the following year.
I also remember very vividly the debut that fall of Star Trek: The Next Generation. The show aired on the Tucson Fox station in syndication on weekends, which meant episodes aired on Saturday afternoon and repeated the following Sunday morning. That made it an easy show to catch, and I remember the hubbub when the DC Comics adaptation arrived at David’s, with that great Bill Sienkiewicz cover, the same week the show premiered. I didn’t scoop it up that first day it was on sale, and had to wait a while to grab a copy.
It’s hard to explain now how much that show meant to fans back then, even as it was roundly and correctly criticized for not being especially good. And the only reason I can think of that sticks is that at the time there was almost no sci-fi of any kind on TV at that time.
Earlier in 1987, ABC had a minor hit airing the sci-fi series Max Headroom, which starred Matt Frewer as futuristic journalist Edison Carter and was based on the British talk-show character concept. (I’d like to think it had some kind of influence on Warren Ellis and Darick Robertson’s Transmetropolitan comic book, which came along about ten years later). It was really good — a minor classic, even — but short-lived.
There also had been a very interesting ABC series called Probe, which Isaac Asimov was involved in and featured former The Hardy Boys star Parker Stevenson as a scientific prodigy who drove his assistant, played by Michelle Castle, more than a little crazy in the mode of Holmes and Watson. It ran for eight episodes in 1988 and was canceled. One of its producers, Michael Piller, later went on to contribute many great episodes to Star Trek: The Next Generation and co-created Star Trek: Deep Space Nine and Star Trek: Voyager before cancer took him at far too young an age in 2005.
And there was Sable, based on Mike Grell’s excellent First Comics series, Jon Sable, Freelance. This one only lasted seven episodes in late 1987 and early 1988, but was almost a decent adaptation of the comic. I recall reading a few issues of the book back in the day and seeing a trade paperback as one of the first graphic novel collections to be found in regular bookstores at the time, alongside Watchmen, The Dark Knight Returns and Saga of the Swamp Thing. I’ve since read the whole series and really enjoyed it. The show was a pale imitation, but it was at the time the only TV adaptation of a comic to air on a network since The Incredible Hulk.
I think with Star Trek: The Next Generation, the collective audience for that kind of material — today scattered across endless series and streaming services — was concentrated in this one show. The ratings for it were very good, and I remember hearing very soon after it began airing that a second season was already ordered. The rest, of course, is history.
I really enjoyed the show, myself. It didn’t really matter that it wasn’t as good as the original. It was new Star Trek, and I liked the characters despite the often-weak early scripts. I remember one rainy Saturday afternoon when I took a study break to grab some comics at David’s, a sandwich from the deli next door, and watch the newest episode of the show, in which Tasha Yar met her demise at the hands of a pile of oily goo. I also spent a lot of time reading news magazines and newspapers, and watching current-affairs shows like Nightline with Ted Koppel. That was part of what led me to study journalism. Good times.
Back to comics: There was a growing sense that something was happening in comics. As I mentioned, graphic-novel collections from Warner Books started showing up in bookstores, and almost every newspaper and magazine in the country ran at some point a story on comics like Watchmen, The Dark Knight Returns, Love & Rockets and Art Spiegelman’s Maus. I’d noticed for the first time fans buying multiple copies of new issues in the hopes their value would go up. And the entire hobby seemed to be rising. Debates in shops were lively, respectful and pretty fun to take part in.
When that first year ended, I packed up and went back to Scottsdale for the summer. I didn’t know then that David’s would be gone when I came back a few months later. It was a great spot and a lot of fun to visit. I don’t know if I would have continued buying comics without it being so close to my first home away from home.